The Blockade Runner

Star Wars Is Forever


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Cinephile Sinners – The Blockade Runner Podcast #201

This week’s episode features our discussion of Empire Magazine’s Book of Boba Fett feature as well as some speculation about the futures of both Star Wars on Disney+ and IDW comics.

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Due To Our Ever Expanding Need To Run Blockades – The Blockade Runner Podcast #175

We return after a week off to catch up on Disney+ news, Mandalorian books being canceled, a few insights into the process of making the sequel trilogy, and a quick High Republic comics update.

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The Academy Recognizes Kathleen Kennedy (and We Do Too!) – The Blockade Runner Podcast #75

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We think Kathleen Kennedy being awarded an Irving G. Thalberg Oscar this year is worthy of a celebration so we’re devoting the entirety of this episode to looking at her illustrious career in film and her stewardship of Lucasfilm. Join Ryan and John as we break down Ms. Kennedy’s many accomplishments as well as recognize the ways in which we think she’s changed LFL for the better.

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Celebrating What We Love: Rose Tico & Kelly Marie Tran (with special guest Laura Sirikul) – The Blockade Runner Podcast #69

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All of us here at The Blockade Runner were horrified to hear last week that Kelly Marie Tran left Instagram/social media seemingly as a result of the disgusting harassment she’s been facing since she was cast in The Last Jedi. Inspired by Rose’s statement to save what we love instead of only fighting what we hate, we decided to put together an episode celebrating Rose and Kelly Marie Tran herself. Luckily the wonderful Laura Sirikul agreed to join us for this one, and we’re so glad she did! Laura has been a fan of Rose and Kelly since Lucasfilm first announced the character’s involvement in The Last Jedi; she’s the first fan to cosplay as Rose and has met Kelly Marie Tran too, so she’s the perfect person to help us celebrate one of the best parts of one of the best Star Wars movies! We start out by addressing the harassment and cruelty that toxic Star Wars fans (or whatever they are) have been spewing at Kelly Marie Tran, Kathleen Kennedy, and Rian Johnson in response to The Last Jedi before discussing some of the positive and inspiring reactions from the fan community. Then we spend the rest of the episode exploring the qualities and characteristics that make both Rose and Kelly Marie Tran such incredible new additions to the Star Wars universe.

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Rian Johnson’s New Star Wars Trilogy & Live Action Star Wars TV Show Announced Plus Battlefront II! – The Blockade Runner Podcast – November 18th, 2017

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Ryan and John discuss Rian Johnson’s new Star Wars Trilogy, Lucasfilm’s live action Star Wars tv show, and our time so far with Battlefront 2! We consider what’s most likely for the trilogy and tv shows before jumping into what we’d actually like to see. Plus Ryan shares his impressions of the Battlefront 2 campaign and we share our take on the EA/Battlefront 2 micro transactions controversy.

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StarWars.com: Rian Johnson To Create All-New Star Wars Trilogy

MarketWatch: Disney to Charge “Substantially” Less Than Netflix for Streaming, Plans New Star Wars Content

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Colin Trevorrow Leaves Episode IX – The Blockade Runner Podcast – September 10th, 2017

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Ryan and John discuss our reactions to Colin Trevorrow leaving Star Wars: Episode IX, our thoughts on who should replace him, and what this may mean for the movie itself.

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The Hollywood Reporter: Colin Tervorrow Out as Episode IX Director

Vulture: Colin Trevorrow’s Firing From Star Wars Is Another Reminder That No Director Will Ever Be Bigger Than the Franchise

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Blockade Runner Podcast Episode 15 – The Rogue One Olympics Trailer

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Dan, Ryan, and John discuss the newest Rogue One trailer just a few minutes after it launches. We share our initial reactions to the trailer, our favorite shots, and how best to handle marketing Vader until the movie releases. This one is a bit shorter than our usual output, but we’re laser-focused on Rogue One all the way through (though I somehow neglected to lament the lack of Bistan in this newest preview of the movie).

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The Blockade Runner Podcast Episode 13 – Entertainment Weekly’s Rogue One Reveals

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Ryan, Dan, and John spend this episode analyzing the character reveals and images from Anthony Breznican’s newest Rogue One story for Entertainment Weekly. The issue is full of compelling photographs and information straight from Kathleen Kennedy and Gareth Edwards, so we had a lot of fun digging into it.

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Disney, I Owe You An Apology: How I Came to Accept a New Era in Star Wars

4 days out from finally seeing The Force Awakens for the first time, I’m here to own up to my initial emotional and rash reaction to the news that Disney purchased Lucasfilm and would be moving forward with (a lot) more Star Wars.

When the announcement was made a little over three years ago, I felt blindsided (more on our reactions to the news in our first Blockade Runner video episode here). As a fan of the prequels, it was my belief that those films concluded a six part saga that told the story of a father and son in a complete way. I believed the prequels were necessary to communicating George Lucas’s vision for the tragedy of Darth Vader and his eventual redemption through the faith and love of his son Luke Skywalker. I was open to more novels and comics and television shows, but the idea of Disney producing more films seemed almost counterproductive; any more entries in the saga would surely just dilute the power of Lucas’s initial vision and the story of a father and his son. The only reasons I could see to continue the Star Wars saga at the time were financial, so I basically immediately embraced a pessimistic outlook and start digging my heels into the ground.

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George Lucas and Kathleen Kennedy discussing Disney’s purchase of Lucasfilm.

I was exceedingly negative when friends and family, knowing me as the major Star Wars fan in their lives, immediately started tracking me down that afternoon. They expected to be greeted with excitement and joy on my part, but I instead met them with cynicism and fear. I’m not necessarily proud of that response but, in my defense, I love Star Wars and I was feeling protective. I’ve always argued that experimentation in other mediums is ok; if a bad novel comes out and it doesn’t quite hit the mark, we move on. But if a poor Star Wars film is produced, it’s not so easy to forget and it impacts our perceptions of the original. I was afraid of what more Star Wars films would mean to the legacy of the saga I loved so much and I wasn’t ready to risk seeing them diminished.

I also was (and continue to be) a major evangelist for George Lucas. Though I acknowledge and agree with the commonly-held perception that the prequels aren’t as good as the original films, I believed in the concept of the Star Wars saga as Lucas’s personal vision. The fact that the prequels were flawed in some ways only lent credence to that idea; these weren’t movies made by a committee, but instead, and for better or worse, one man’s uncorrupted vision for the Skywalker clan.

But now Disney was making more movies, and outside of some alleged creative consulting and a loose outline of some kind, without George Lucas.

And there were plenty of examples of Star Wars stories created and told without much input from Lucas at the time. Expanded universe novels, comic books, and video games were so common from the 90s on that I was completely accustomed to the idea of other creators producing Star Wars content.

But I was also very comfortable with viewing that content as something less than authentic Star Wars.

Knowing that George Lucas had wrapped up his vision for Star Wars and that his saga was complete, I was ok with other creators producing Star Wars stories in various forms of media (even television). Whether they were brilliant, mediocre, or embarrassing, I could compartmentalize them as separate from the real Star Wars, from the true Star Wars.

Luckily for me, my perspective has shifted over the past three years.

Winding up where I am now (insanely excited and super optimistic about the future of Star Wars) happened gradually as more and more of the moves Disney made inspired my confidence and hope. Major milestones like the announcement of J.J. Abrams, Michael Arndt, and Lawrence Kasdan being attached to Episode 7, the first teaser trailer, and maybe most importantly, the incredible quality of Star Wars Rebels all but destroyed any possibility of me maintaining a negative outlook on the future of Star Wars.

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I came to realize that while George Lucas created and defined Star Wars, he’s not the only one who can tell a true Star Wars story. It seems obvious now that he knew that too, and that he knew Star Wars shouldn’t be something that ends with him. He may not have always believed that (he’d previously stated that he’d “left instructions” to stop Star Wars sequel films from being produced after he was gone), but his point of view clearly evolved on this issue too.

So it became apparent to me at some point after almost every move Disney made seemed smart, respectful, and creatively motivated that I had probably better give up on waiting for the other shoe to drop and accept that fact that I had been wrong to immediately embrace a cynic’s view of more Star Wars, whether it was made by George Lucas or not.

The truth is, my vision for what Star Wars should be was too protective, too close-minded, too short-sighted. This new era of Star Wars means another generation of fans will be able to experience the same kind of joy surrounding new films that I did during the prequel era. The new canon (another recent positive change that has taken place since Disney’s purchase of Lucasfilm) is providing us with some of the most compelling Star Wars stories we’ve ever seen outside of the films, and the future is looking brighter for fans than it has in quite some time. Thank the maker that George Lucas, Kathleen Kennedy, Lucasfilm, and yes, Disney, were hopeful where I lacked vision.

The version of myself that reacted so negatively to the future of Star Wars in 2012 would probably recommend I wait just a few more days to post an apology like this one. After all, there’s no guarantee that The Force Awakens will satisfy our expectations, that we’ll consider it the blessing we’re all hoping it will be.

But even if it’s ultimately not a satisfying film, I’ve so enjoyed the ride leading up to its release that I’m at a place where I can accept that Star Wars should have room to grow, to evolve, to take chances. Not every Star Wars film will be perfect; sometimes we’ll be disappointed. But I’ve already experienced so much joy in the three years leading up to The Force Awakens that I now realize it’s worth taking that risk.

So Disney, and Lucasfilm, and everybody whose excitement I did my best to extinguish three years ago, I’m sorry. Thanks for seeing what I couldn’t, and here’s to many more years of Star Wars.