We spend episode 249 breaking down The Mandalorian season three’s final episode. We assess what worked for us, ways in which this chapter could’ve been stronger, and how it’s emblematic of this season’s goals and overall approach.
Ryan is back after taking a bit of a hiatus from both Star Wars and the podcast. We catch up on where he’s at with Star Wars overall before jumping into Clone Wars season 7, recent comics, and both the TROS digital release and novelization. In the second half of the show we discuss the impact COVID-19 may have on the High Republic, Celebration, Galaxy’s Edge, and upcoming Disney+ shows.
This episode features a look at over 25 leaked concept art images from Colin Trevorrow’s Duel of the Fates script including sequences, planets, vehicles, and characters not seen in The Rise of Skywalker. I hadn’t actually read the leaked script at the time this episode was recorded, so it’s mostly a reaction to the images themselves and a brief synopsis of the story I’d come across. The art itself is embedded in the podcast chapters or in the video version available on YouTube; if you’re driving or doing the dishes or something while listening, you can check them out on Imgur here.
Star Wars Resistance ended on a high note last week with the excellent two-part episode “The Escape.” Friend of the show Caleb joins John to show some love to the often overlooked Resistance, take a quick look back at season two, and break down this final episode’s best moments. We also look forward to Clone Wars season 7 and the future of Star Wars animation to round out the episode.
This week’s show is a brief look at some of the most compelling portions of the recently released Rise of Skywalker Visual Dictionary. It opens with a few minutes on the history and purpose of Star Wars visual dictionaries before focusing on the book’s info on Exegol, the Sith Eternal, Lando and Jannah, Ochi of Bestoon, and more.
Ryan returns in this second post-TROS episode to weigh in on diverse characters and representation in the sequel trilogy. We spend the second half of the show deciding whether or not we believe Han, Luke, and Leia’s stories were more satisfying at the conclusion of the OT or the ST. Plus we throw in a little holiday cheer at the start of the show by chatting about how Star Wars made its way into our Christmas gatherings.
TROS Spoilers abound as we continue our tradition of putting out an immediate reactions episode with terrible audio quality and terrible blues music pumped your way from a recording done at a local bar. John, Jeremy, Dan, Kevin, and Bart bring you an informal, loose discussion of our first thoughts on the movie. We’ll be back later in the weekend with a higher audio quality, more organized look at the movie (featuring Ryan who’s absent from this recording).
There’s only a few days left until the release of The Rise of Skywalker and the end of the Skywalker Saga and this episode features our final predictions about what the movie will be. We start with a brief look at The Mandalorian Chapter 6 but after that it’s all TROS. Highlights include predictions about Rey, Kylo, Rey and Kylo, Bendemption, the balance of the force, chosen ones, stormtrooper rebellions, and so much more. We discuss everything that’s been released by LFL, so if you’ve been avoiding tv spots or trailers, tread lightly.
Lucasfilm continued to release TROS tv spots and promo videos this week, so we share our favorite moments as well as debate the merits of nostalgia in these recent marketing efforts. We then discuss the recently streamed Star Wars kabuki performance (with help from friend of the show Dave Hackerson) before wrapping up the show with our reactions to The Mandalorian Chapter 4.
Dave’s Comments Re: the Kabuki Performance:
“Ebizo, Japan’s leading Kabuki actor, really went the distance with this adaptation and stayed true to the art form, giving the characters original Japanese names that resemble their English equivalents. I especially liked how he adapted Luke=Ryuku. The kanji he selected for that adaptation was 流空. The first character “ryu” means “to flow (like water)”, while the second character “ku” is for “sky” (it also means “void” as in “emptiness” in Buddhist contexts). Seeing those two characters, I instantly recognized he was conveying the meaning of “Skywalker”. Keep this note about the name adaptations in mind when you read the opening crawl, as they are spelled out to match the pronunciation of the corresponding kanji characters used in Japanese. The first 15 minutes are an introduction, in which the host speaks with 3PO, R2, and BB8 to discuss the basics of Kabuki (the set poses characters do to emphasize key moments in the plot, the involvement of the audience, etc.). The actual performance begins around the 17:00 mark…
In his introduction from around the 13:30 minute mark, Ebizo describes how George Lucas was inspired by Japanese culture, and that a Kabuki interpretation of SW was in a way returning the saga to its roots. He talked about how Star Wars is a family story of love and loss. Narrowing his focus to Kylo (Kairorennosuke in the play), he went with three scenes where that sense of love or loss can be felt: Kylo and Han, Kylo and Snoke, and Kylo and Luke…
The child that appears in the play is Ebizo’s son. Children born into a kabuki family are raised to carry on that legacy. Next year Ebizo will take on the name “Danjuro”, which is the traditional name of his family line of actors (Ichikawa family). He will be the 13th Danjuro, and most likely his son will one day be the 14th. In the play, his son plays the role of the young Ben Solo that still resides deep within Kylo. The hair buns are a nice visual reference to remind us of who his mother is, with the white clothing referring to the hope that he once represented…
Ebizo really took this adaptation seriously, saying “It was a real challenge because I wanted to showcase the essence and allure of Kabuki, but at the same time do the saga justice. I didn’t want to betray Star Wars fans.”