The Blockade Runner

Star Wars Is Forever


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Star Wars: The Roleplaying Game Second Edition

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It’s hard to believe (especially today) that there was a time after the original trilogy when Star Wars wasn’t everywhere. After Return of the Jedi left theaters, it appeared the story of the Skywalker family was complete, and everyone moved on. Except fans couldn’t. People still wanted to be part of the universe that George Lucas created, and in 1987, West End Games gave them the chance.

Now, the Star Wars Roleplaying Game predated my fandom by almost a decade, but I can only imagine how welcome this game was for fans craving more Star Wars lore and adventures. I recently acquired a Second Edition handbook (from 1992), and it’s been a blast to flip through.

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The Blockade Runner Podcast Episode 4 – First Impressions of The Force Awakens

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Show Notes:

Download this episode (right click and save)

In this episode of The Blockade Runner, Ryan, Dan, Kevin, and John discuss our thoughts on The Force Awakens. We’ve all seen the movie and we go into spoiler-heavy detail, so please be sure to see the film before listening. We chat about our reactions, criticism, theories, and favorite moments for over two hours, but there’s much more to discuss going forward so be sure to stay tuned for more podcasts, blog posts, and videos from The Blockade Runner!

Intro and outro music in The Blockade Runner is “Hedonism” by Ash.

Email=theblockaderunnerpodcast@gmail.com

Twitter=@blockaderun

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Seeing Star Wars: The Force Awakens at Alamo Drafthouse

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The Alamo Drafthouse (Denver/Littleton) is my favorite movie theater ever. It has great food and drinks, amazing pre-film clip shows,  a draconian no-talking/cell phone policy, and they show an eclectic mix of films new and old (I recently saw my favorite horror movie of all time, the infamous 1977 Japanese film “Hausu” there). So naturally, that’s where I wanted to see The Force Awakens on opening night.

Unfortunately, it was not meant to be. Due to some server mishaps on the night the tickets went on sale, I went to bed with Thursday night tickets at another theater. Thankfully, when I woke up the next morning, I was able to get tickets for the 18th, including two of the special Mondo pint glasses and the Star Wars-themed issue of their Birth. Movies. Death. magazine.

Before even reaching the theater, my wife and I knew this was going to be a special experience, as a Biker Scout hung out at the door. Inside, there were even more impeccable costumes- troopers, Darth Maul, and even Kylo Ren. It was high-quality stuff, but unfortunately we were running late, so I didn’t have a chance to take any good pictures or chat with the cosplayers.

Luckily, we made it in time to catch some of the pre-film clipshow. These are always great, but this Star Wars-themed one was maybe the best yet. It had everything from classic Kenner action figure commercials to modern YouTube videos from the likes of Danny Choo. Even the pre-show announcements, about how to order food and how to SHUT UP DURING THE MOVIE were Star Wars-themed.

Then the movie started. Turns out, it was even better the second time (we’ll all be giving our impressions in detail on the next episode of the Blockade Runner podcast… please look forward to it).

On our way out we picked up our pint glasses and magazine. Needless to say, they rule.

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I can’t wait to dig into the magazine. It’s chock-full of interesting takes on the Star Wars phenomenon, from personal anecdotes to rad interviews.

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Also, within the pages are some killer prints from legendary artists that I’ll never be able to afford… but at least now I can hold and admire physical versions!

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While it was a bummer that I wasn’t able to have my first Force Awakens experience at Alamo, tonight was still absolutely incredible, leaving me with both great memories and some unique tangible keepsakes. I can’t wait to continue this new chapter of Star Wars history at the Alamo in the years to come.


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The Blockade Runner Podcast Episode 3 – The Final Days Before The Force Awakens

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Show Notes:

Download this episode (right click and save)

In this episode of The Blockade Runner, Ryan and John have one last discussion the weekend before The Force Awakens is finally released! We talk new revelations regarding the scripting process for TFA, George Lucas’s reactions to seeing the film, the Tales from a Galaxy Far, Far Away series of short e-books, and our plans and feelings in the final days before Episode 7 is upon us.

Look for the next Blockade Runner podcast late next week when we’ll discuss our reactions to our first few viewings of The Force Awakens!

Intro and outro music in The Blockade Runner is “Hedonism” by Ash.

Email=theblockaderunnerpodcast@gmail.com

Twitter=@blockaderun

YouTube

Instagram=theblockaderunner


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Disney, I Owe You An Apology: How I Came to Accept a New Era in Star Wars

4 days out from finally seeing The Force Awakens for the first time, I’m here to own up to my initial emotional and rash reaction to the news that Disney purchased Lucasfilm and would be moving forward with (a lot) more Star Wars.

When the announcement was made a little over three years ago, I felt blindsided (more on our reactions to the news in our first Blockade Runner video episode here). As a fan of the prequels, it was my belief that those films concluded a six part saga that told the story of a father and son in a complete way. I believed the prequels were necessary to communicating George Lucas’s vision for the tragedy of Darth Vader and his eventual redemption through the faith and love of his son Luke Skywalker. I was open to more novels and comics and television shows, but the idea of Disney producing more films seemed almost counterproductive; any more entries in the saga would surely just dilute the power of Lucas’s initial vision and the story of a father and his son. The only reasons I could see to continue the Star Wars saga at the time were financial, so I basically immediately embraced a pessimistic outlook and start digging my heels into the ground.

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George Lucas and Kathleen Kennedy discussing Disney’s purchase of Lucasfilm.

I was exceedingly negative when friends and family, knowing me as the major Star Wars fan in their lives, immediately started tracking me down that afternoon. They expected to be greeted with excitement and joy on my part, but I instead met them with cynicism and fear. I’m not necessarily proud of that response but, in my defense, I love Star Wars and I was feeling protective. I’ve always argued that experimentation in other mediums is ok; if a bad novel comes out and it doesn’t quite hit the mark, we move on. But if a poor Star Wars film is produced, it’s not so easy to forget and it impacts our perceptions of the original. I was afraid of what more Star Wars films would mean to the legacy of the saga I loved so much and I wasn’t ready to risk seeing them diminished.

I also was (and continue to be) a major evangelist for George Lucas. Though I acknowledge and agree with the commonly-held perception that the prequels aren’t as good as the original films, I believed in the concept of the Star Wars saga as Lucas’s personal vision. The fact that the prequels were flawed in some ways only lent credence to that idea; these weren’t movies made by a committee, but instead, and for better or worse, one man’s uncorrupted vision for the Skywalker clan.

But now Disney was making more movies, and outside of some alleged creative consulting and a loose outline of some kind, without George Lucas.

And there were plenty of examples of Star Wars stories created and told without much input from Lucas at the time. Expanded universe novels, comic books, and video games were so common from the 90s on that I was completely accustomed to the idea of other creators producing Star Wars content.

But I was also very comfortable with viewing that content as something less than authentic Star Wars.

Knowing that George Lucas had wrapped up his vision for Star Wars and that his saga was complete, I was ok with other creators producing Star Wars stories in various forms of media (even television). Whether they were brilliant, mediocre, or embarrassing, I could compartmentalize them as separate from the real Star Wars, from the true Star Wars.

Luckily for me, my perspective has shifted over the past three years.

Winding up where I am now (insanely excited and super optimistic about the future of Star Wars) happened gradually as more and more of the moves Disney made inspired my confidence and hope. Major milestones like the announcement of J.J. Abrams, Michael Arndt, and Lawrence Kasdan being attached to Episode 7, the first teaser trailer, and maybe most importantly, the incredible quality of Star Wars Rebels all but destroyed any possibility of me maintaining a negative outlook on the future of Star Wars.

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I came to realize that while George Lucas created and defined Star Wars, he’s not the only one who can tell a true Star Wars story. It seems obvious now that he knew that too, and that he knew Star Wars shouldn’t be something that ends with him. He may not have always believed that (he’d previously stated that he’d “left instructions” to stop Star Wars sequel films from being produced after he was gone), but his point of view clearly evolved on this issue too.

So it became apparent to me at some point after almost every move Disney made seemed smart, respectful, and creatively motivated that I had probably better give up on waiting for the other shoe to drop and accept that fact that I had been wrong to immediately embrace a cynic’s view of more Star Wars, whether it was made by George Lucas or not.

The truth is, my vision for what Star Wars should be was too protective, too close-minded, too short-sighted. This new era of Star Wars means another generation of fans will be able to experience the same kind of joy surrounding new films that I did during the prequel era. The new canon (another recent positive change that has taken place since Disney’s purchase of Lucasfilm) is providing us with some of the most compelling Star Wars stories we’ve ever seen outside of the films, and the future is looking brighter for fans than it has in quite some time. Thank the maker that George Lucas, Kathleen Kennedy, Lucasfilm, and yes, Disney, were hopeful where I lacked vision.

The version of myself that reacted so negatively to the future of Star Wars in 2012 would probably recommend I wait just a few more days to post an apology like this one. After all, there’s no guarantee that The Force Awakens will satisfy our expectations, that we’ll consider it the blessing we’re all hoping it will be.

But even if it’s ultimately not a satisfying film, I’ve so enjoyed the ride leading up to its release that I’m at a place where I can accept that Star Wars should have room to grow, to evolve, to take chances. Not every Star Wars film will be perfect; sometimes we’ll be disappointed. But I’ve already experienced so much joy in the three years leading up to The Force Awakens that I now realize it’s worth taking that risk.

So Disney, and Lucasfilm, and everybody whose excitement I did my best to extinguish three years ago, I’m sorry. Thanks for seeing what I couldn’t, and here’s to many more years of Star Wars.

 


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The Blockade Runner Video Show Episode 2 – The Lead Up to The Phantom Menace

The Blockade Runner video show returns with our second episode featuring a conversation about the lead up to The Phantom Menace. With The Force Awakens just days away, now is the perfect time to look back at the excitement leading up the release of the first Star Wars prequel. We discuss our initial reactions to our first glimpses of the film, our experiences lining up for our first viewing, feelings toward the movie during the time of its release, and the way TPM left a lasting impact on our lives.

If you enjoy the show, please help spread the word and don’t hesitate to reach out to us through Twitter or email. We’re at the beginning of another incredibly exciting time for Star Wars fans and we hope you’ll consider joining us for future podcasts, videos, and blog posts as we journey into this new era together!


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Rebels Screenshot Spotlight – Stealth Strike

“Stealth Strike” stands out as an episode of Rebels that features a plethora of visual call-backs to the original trilogy (not unusual for the show, but at an even higher volume here), but also at least one key and noticeable reference to the The Phantom Menace.

Actually, I’m sure there are many smaller examples of artistic influence from the prequels throughout Rebels; though the concept art generated by Ralph McQuarrie for the original trilogy is clearly the visual foundation of the show, Dave Filoni and crew are no doubt drawing inspiration from George Lucas’s more recent vision of the Star Wars universe in more subtle ways as well.

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This shot of Ezra sabotaging the reactor core of The Interdictor seems to be an example of that kind of approach. While the room and structures are most noticeably similar to the scene in A New Hope in which Obi-Wan shuts down the Death Star’s tractor beam, the design also draws on the Theed generator complex from The Phantom Menace. The verticality of that structure led to an incredibly dynamic scene, and the Rebels crew takes full advantage of that aspect of this reactor core room in “Stealth Strike,” with Ezra moving up and down between platforms as he reflects blaster bolts back at the Imperial troops above. In one of the best episodes of the season so far, this reactor core scene is able to pay tribute to both the original trilogy and prequel trilogy eras while creating an exciting new sequence of its own.


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Rebels Screenshot Spotlight – Blood Sisters

I love Sabine and I was as excited to learn more about her background as any member of the crew of The Ghost, but unfortunately this week’s episode of Rebels didn’t completely work for me (which is something I don’t think I’ve felt about any other episode of the show). I think my disappointment in “Blood Sisters” is directly linked to Sabine’s bounty hunter friend Ketsu Onyo, whose development was too quick and too tidy to resonate with me.

Still, though “Blood Sisters” probably holds the distinction of being my least favorite episode of Rebels (the worst episode of one of my favorite shows ever isn’t such a bad place to be), there is still a lot to enjoy here.

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My favorite shot of this week’s episode comes from Sabine and Ketsu’s initial reunion, and it’s one that harkens back to the cinematography of classic Westerns. The shot I’ve posted here lingers on Sabine’s hand reaching for her blaster, suggesting an impending shootout, and the spotlight on Ketsu in the background clearly designates her as Sabine’s target. It’s a brilliant moment in the episode in the way it evokes the cinematic language of the Western, but it’s also incredibly effective here as a single shot. Everything the audience needs to know about this moment is conveyed in the composition of this still and it’s the kind of visual storytelling that has always been a part of Star Wars at its best.