Ryan and John continue to catch up on Celebration announcements by breaking down the Andor teaser as well as discussing the Mandalorian season three and Ahsoka reveals and footage from the Mando+ panel.
Ryan and John recount their favorite Celebration memories from the Capri Suites Anaheim in this super short episode. We talk about meeting friends new and old, attending Mosh Eisley, our favorite panels, and more.
This week’s episode features our commentary on many smaller developments and news items in the world of Star Wars including Amy Hennig’s recently announced Star Wars game, Natalie Holt composing the score for Obi-Wan Kenobi, and Ewan McGregor, Kelly Marie Tran, and Billie Lourd coming to Star Wars Celebration Anaheim.
It occurred to me while watching the most recent episode of Rebels, “Always Two There Are,” that I’d like to do something here on The Blockade Runner blog to show appreciation for the incredible art/design/look of the show. To be honest, I wasn’t sure about the show’s style when the characters were revealed (there had been a bit of talk re: the McQuarrie influence and I think was expecting something different), but from the moment I was able to see it in motion, I’ve been incredibly impressed. Seeing Joel Aaron’s presentation at Celebration Anaheim only increased my appreciation for the show’s look and dedication to authenticity, and the initial shot of The Ghost approaching the abandoned Republic medical station moved me to action.
I was initially taken aback by the presentation of the medical station itself; the elegance of the station and the cylindrical or almost funnel-like shape of it seemed distinctly McQuarrie. I think it may have reminded me of some of his Cloud City designs, and upon doing some digging I found a piece of Coruscant concept work that shares some similarities with this design. I’m not sure if this specific station was directly influenced by McQuarrie concepts or not, but it shares qualities with his designs that I think are very beautiful and very Star Wars.
I was also struck by the enormity of the medical station in relationship to The Ghost. It becomes clear as the episode unfolds that Ezra and the rest of the crew are pitted against a powerful enemy that outmatches them in most ways, and the composition of this shot emphasizes that the deck is very much stacked against them and that they’ll have to overcome a major challenge to successfully complete their mission.
I’m no design expert, so I hope it’s clear here that I’m commenting on this shot from “Always Two There Are” out of appreciation for the incredible work of the Rebels crew. Watching Rebels has delighted me more than I expected in numerous ways, and its so gratifying and exciting to be presented with such beautiful imagery each week, so I’m looking forward to finding more breathtaking shots to feature from upcoming episodes.